Monday, February 6, 2012

Vivian Maier: Street Photographer

Vivian Maier: Street Photographer Review


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A good street photographer must be possessed of many talents: an eye for detail, light, and composition; impeccable timing; a populist or humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot, shoot and never miss a moment. It is hard enough to find these
qualities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers.

Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide—from France to New York City to Chicago and dozens of other countries—and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America’s post-war golden age.

It wasn’t until local historian John Maloof purchased a box of Maier’s negatives from a Chicago auction house and began collecting and championing her marvelous work just a few years ago that any of it saw the light of day. Presented here for the first time in print, Vivian Maier: Street Photographer collects the best of her incredible, unseen body of work.


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Feb 06, 2012 21:17:36

Saturday, February 4, 2012

Portrait and Candid Photography Photo Workshop

Portrait and Candid Photography Photo Workshop Review


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The latest tips and tricks for capturing high-quality photos

Taking great "people pictures" isn't a matter of luck. The secret is in observing your subjects and connecting with them, and then using your camera to its best advantage. This new edition uses full-color photos to demonstrate how to work with lighting, location, angle, composition, physical characteristics, and environment in either portrait or candid situations. Professional photographer and veteran author Erin Manning offers invaluable advice for handling the unique challenges of photographing babies, large and small groups, and action.

Assignments at the end of each chapter encourage you to test your newfound skills, while visiting pwsbooks.com allows you to post your work and benefit from feedback and constructive criticism.

  • Explains how to study your subjects in their natural habitat, while you observe how they react and interact
  • Features invaluable advice from veteran author Erin Manning that shares simple techniques for improving photos of babies and children
  • Zeroes in on how to best capture facial expressions
  • Highlights ways to tell a story with a series of candid photos
  • Helps you add interest to large-group shots

When you apply the techniques featured on the pages of Portrait and Candid Photography Photo Workshop, 2nd Edition, you'll watch your subjects come to life.


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Feb 05, 2012 07:31:04

Friday, February 3, 2012

Photography (with MyPhotographyKit Student Access Code Card) (10th Edition)

Photography (with MyPhotographyKit Student Access Code Card) (10th Edition) Review


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0205720803 / 9780205720804 PHOTOGRAPHY & MYPHOTOGRAPHYKIT SACC PKG *

Package consists of

0136053351 / 9780136053354 MyPhotographyKit Student Access Code

0205711499 / 9780205711499 Photography

 

MyPhotographyKit: Interact and experience with photographs!

MyPhotographyKit includes practice quizzes, interactive demonstrations of technical concepts enhanced with audio and video, guided tours (CLOSER LOOK FEATURE) of fine art photographs designed to help students improve their composition, an interactive troubleshooting section, and more. MyPhotographyKit is available at no additional charge when ordered in a package. www.myphotographykit.com


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Feb 04, 2012 07:06:36

Thursday, February 2, 2012

Believing Is Seeing: Observations on the Mysteries of Photography

Believing Is Seeing: Observations on the Mysteries of Photography Review


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Academy Award-winning filmmaker Errol Morris investigates the hidden truths behind a series of documentary photographs.

In Believing is Seeing Academy Award-winning director Errol Morris turns his eye to the nature of truth in photography. In his inimitable style, Morris untangles the mysteries behind an eclectic range of documentary photographs, from the ambrotype of three children found clasped in the hands of an unknown soldier at Gettysburg to the indelible portraits of the WPA photography project. Each essay in the book presents the reader with a conundrum and investigates the relationship between photographs and the real world they supposedly record.

During the Crimean War, Roger Fenton took two nearly identical photographs of the Valley of the Shadow of Death-one of a road covered with cannonballs, the other of the same road without cannonballs. Susan Sontag later claimed that Fenton posed the first photograph, prompting Morris to return to Crimea to investigate. Can we recover the truth behind Fenton's intentions in a photograph taken 150 years ago?

In the midst of the Great Depression and one of the worst droughts on record, FDR's Farm Service Administration sent several photographers, including Arthur Rothstein, Dorothea Lange, and Walker Evans, to document rural poverty. When Rothstein was discovered to have moved the cow skull in his now-iconic photograph, fiscal conservatives-furious over taxpayer money funding an artistic project-claimed the photographs were liberal propaganda. What is the difference between journalistic evidence, fine art, and staged propaganda?

During the Israeli-Lebanese war in 2006, no fewer than four different photojournalists took photographs in Beirut of toys lying in the rubble of bombings, provoking accusations of posing and anti-Israeli bias at the news organizations. Why were there so many similar photographs? And were the accusers objecting to the photos themselves or to the conclusions readers drew from them?

With his keen sense of irony, skepticism, and humor, Morris reveals in these and many other investigations how photographs can obscure as much as they reveal and how what we see is often determined by our beliefs. Part detective story, part philosophical meditation, Believing Is Seeing is a highly original exploration of photography and perception from one of America's most provocative observers.


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Feb 02, 2012 11:06:12